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Deep Daan: How to Offer the Lamp, the Five Kartik Days, and the Ancestral Rite

Prakhar Porwal · 5 min read · Reviewed Oct 6, 2026
Key Takeaways
  • How to perform deep daan
  • The five days that carry the most
  • Deep daan for the departed
  • What the Puranas say about it
In This Article

Prayag Pandits performs deep daan at Garh Mukteshwar through the Kartik Mela, and lamp offerings alongside the ancestral rites at Prayagraj and Varanasi. Tell us on WhatsApp whether the lamps are for a deity or for an ancestor — the method differs — and a pandit will set it out. Same-day reply.

Deep daan — दीप दान, the gift of light — is the offering of a lamp, at a temple, on a riverbank or beside a road. It is one of the simplest rites in the tradition and one of the most heavily praised: the Puranas devote whole passages to it, the month of Kartik is built around it, and it carries a specific use for the departed that most people never hear about. This page gives the method first, then the days, then what the texts promise.

How to perform deep daan

The scriptures are precise about this, and the detail is what separates a sacred offering from lighting a candle. Six things.

  1. The lamp. Clay, copper, brass, silver or gold. Clay is the most traditional and the most used — made from the earth and returning to it.
  2. The fuel and wick. For Vishnu, pure cow ghee with a cotton wick. For Shiva, sesame oil. The Brahmavaivarta Purana praises the ghee lamp for Vishnu specifically.
  3. The seat. Never put the lamp straight onto bare ground — the Kalika Purana is explicit. Prepare a small bed of rice, wheat or saptadhanya, the seven grains, on a wooden plank or a metal plate, and set the lamp on that.
  4. The timing. Pradosh kaal: roughly ninety minutes before sunset until about forty-five after. The turn between day and night is the hour the texts name.
  5. The direction. Face east or north while offering. For an ancestral deep daan, south.
  6. The sankalpa. Say who the lamp is for before lighting it. For a deity, name the deity; for an ancestor, name them and their gotra. Unstated intent is the one thing the texts treat as leaving the rite incomplete.
The grain seat is not decoration
Families skip it, and it is the instruction the Kalika Purana gives most directly: the earth sustains everything and is not to carry an unmediated flame, so the lamp sits on grain. There is a practical reading too — a clay lamp on bare ground tips, and grain levels it. Rice is enough if you do not have saptadhanya. Afterwards the grain is not thrown away: it goes to birds, to a cow, or into flowing water, like any other part of an offering.

Two lamps a day through Kartik is the Padma Purana’s own instruction — one for the deity and one placed outside, at a doorway or by the road, for whoever passes. That second lamp is the whole idea in miniature: a gift of light that is not addressed to anyone in particular.

The five days that carry the most

Every day of Kartik counts, but the texts single out five, running through the dark fortnight from Rama Ekadashi to Deepawali.

The five days of Kartik Krishna Paksha, and what each is for
DayTithiWhat the lamp is offered for
Rama Ekadashi11thTo Vishnu. Kept with a night vigil and the Vishnu Sahasranama where a family observes fully
Pradosh Vrat13thTo Shiva, at the twilight hour the day is named for. Sesame oil rather than ghee
Naraka Chaturdashi14thFor the departed. Fourteen lamps outside the house, for protection and to ease the passage of ancestors
DeepawaliAmavasyaTo Lakshmi, and the one day of the five everybody already keeps
Devutthana Ekadashi11th, brightVishnu wakes from the four months of yoga nidra. The close of Chaturmas
Why Kartik and not another month
Two reasons the texts give, and they fit together. Kartik is the last stretch of Chaturmas, the four months Vishnu is held to sleep, and he wakes within it on Devutthana Ekadashi — so the month ends with divine attention returning to the world. And the sun is in Libra, its weakest sign, which the tradition reads as a literal lengthening of the dark. A month of growing darkness, answered with a month of lamps. The prescription and the reason for it are the same thought.

Deep daan for the departed

This is the part worth knowing and the reason deep daan appears on a site about ancestral rites at all. The lamp is not only a devotional offering — the tradition assigns it a specific function for the dead.

The fourteen lamps of Naraka Chaturdashi are lit for exactly this: protection from Naraka, and to ease the passage of souls. The same logic runs through Pitru Paksha, where a lamp kept through the fortnight for the ancestors is a common household observance, and through the practice of floating lamps on the river at the ghats.

For an ancestral deep daan the method shifts: face south, use sesame oil rather than ghee, name the departed and the gotra in the sankalpa, and set the lamp afloat or leave it burning at a ghat rather than carrying it home. It does not replace pind daan or tarpan and nobody should treat it as a substitute — it is an addition that costs almost nothing and that families find they can keep up when a full rite is out of reach.

Where the lamps actually go in, at each ghat
At Prayagraj the lamps are floated from the boats at the Sangam rather than from the bank, and the boatmen know the drill — arrange it when you book the boat, not when you arrive. At Varanasi, Dashashwamedh during the evening aarti is where most people do it, and it is crowded enough that Assi is the easier ghat for a family with children. At Garh Mukteshwar during the Kartik Mela the lamp offering runs along the whole ghat and nobody needs directing. Leaf boats are sold at all three; bring nothing.

What the Puranas say about it

Four texts, and they are unusually specific for a rite this simple.

  • The Padma Purana, in the Uttarakhanda, has Mahadev instruct Kartikeya on the merit of lamp offering through Kartik, and promises the grace of sarva-vyaapi Lakshmi to anyone who lights a lamp at a temple, a riverbank or a roadside in the month. It is the source of the two-lamps-a-day instruction.
  • The Agni Purana: whoever donates a lamp to a temple or a brahmin’s home receives everything — which in Puranic usage means the four purusharthas, dharma, artha, kama and moksha, rather than being loose rhetoric.
  • The Brahmavaivarta Purana on the ghee lamp for Vishnu in Kartik: the donor dwells in Haridham for as long as the lamp burns. The duration of the flame becomes the duration of the merit, which is why ghee and a good wick are not a small detail.
  • The Kalika Purana supplies the technical rule about never setting a lamp on bare ground.

Read these as the texts intend — as praise of a practice, in the idiom of praise. The reason to offer a lamp is not the arithmetic of yugas in heaven; it is that the tradition found a rite anyone could perform, at any income, and gave it the fullest possible endorsement so that nobody would think it beneath them.

Where we arrange it

Deep daan at Garh Mukteshwar during the Kartik Mela, on the Ganga, which is where this rite is at its largest in the north. Lamp offerings are also included alongside the ancestral rites at Prayagraj and Varanasi where a family asks for them, and the combined pind daan with deep daan is the usual booking for families doing both.

Kartik Mela

🪔 Deep Daan at Garh Ganga

Starting from ₹ 2,100 complete offering
  • Lamps, grain seat, ghee or sesame oil and the sankalpa, all arranged
  • Named for a deity or for your ancestor, with the gotra, as you prefer
  • Photographs of the offering sent afterwards
  • Combined pind daan and deep daan at Garh Mukteshwar from ₹7,100

If the lamps are meant for an ancestor and you are not sure what else is owed, tell us the circumstances — deep daan is often the thing a family can manage immediately while a fuller rite waits for a trip they can afford, and a pandit will say honestly which of the two you actually need first.

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About the Author
Prakhar Porwal
Prakhar Porwal Vedic Ritual Consultant, Prayag Pandits

Prakhar Porwal is the founder of Prayag Pandits, a platform for Vedic rituals and ancestral ceremonies. His work focuses on helping families understand and coordinate Pind Daan, Shradh, and Asthi Visarjan across India's pilgrimage cities.

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