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Forms of Shiva: The Eleven Rudras, the Nineteen Avatars, and the Great Forms

Prakhar Porwal · 6 min read · Reviewed Oct 6, 2026
Key Takeaways
  • The eleven Rudras
  • Kapali, and why that name carries weight
  • The nineteen avatars
  • The great forms, which are not avatars
In This Article

Prayag Pandits performs Rudrabhishek, Mahamrityunjay Jaap and Kaal Sarp Dosh puja at the Shiva kshetras — Kashi Vishwanath, Mahakaleshwar at Ujjain, and Trimbakeshwar. This page is a reference rather than a service page; if a jyotishi has told you a Shiva remedy is needed, send us the chart detail on WhatsApp and a pandit will tell you which rite it actually calls for.

Three different lists get called “the avatars of Shiva” and they are not the same thing. The eleven Rudras are emanations named in the Shiva Purana and the Matsya Purana. The nineteen avatars are a separate enumeration in the Shiva Purana, and include Hanuman. And forms like Nataraja and Ardhanarishvara are neither — they are aspects in which Shiva is depicted, not descents into the world. This page keeps the three apart, because mixing them is what makes most accounts of this confusing.

The short version of the distinction
An avatar is a descent — Shiva taking birth or form in the world to accomplish something, as Hanuman or as Veerbhadra. A Rudra is an emanation, one of the eleven powers the texts enumerate, closer to an aspect of the divine nature than to an incarnation. A form such as Nataraja is how Shiva is shown and worshipped, carrying a particular meaning, without any claim of a descent at all. All three are real categories in the tradition; none of them is a subset of another.

The eleven Rudras

The Ekadasha Rudras appear in the Shata-Rudra Samhita of the Shiva Purana and again in the Matsya Purana. They are described as governing the vital breaths and the forces of dissolution — fierce and restorative at once, which is the characteristic Rudra combination. Names vary between Puranas; this is the list the Matsya Purana gives.

The Ekadasha Rudras, as the Matsya Purana names them
RudraThe name meansWhat this form carries
KapaliSkull-bearerThe ascetic who has passed beyond fear of death and its symbols. The most iconographically distinct of the eleven
PingalTawny, goldenAssociated with the ordering rhythm underneath things, and with the sun’s colour
BheemThe terribleOverwhelming force, invoked where something must be broken rather than negotiated with
VirupakshaOdd-eyedThe third eye, and perception that is not bound to the ordinary two
VilohitaDeep redThe colour of the storm at dusk, and of the life force
ShastaThe ruler, the teacherShiva as the source of instruction and restraint
AjapadThe unborn-footedOne who stands without support — the self-existent
AhirbudhnyaSerpent of the deepThe oldest of the eleven, named in the Vedas, dwelling at the base of things
ShambhuSource of wellbeingThe benign aspect, and the name most used in ordinary prayer
ChandaFierce, burningHeat and wrath, directed
BhavaExistence itselfShiva as the ground from which being arises

Kapali, and why that name carries weight

More readers arrive looking for Kapali than for any other single name on this page, and it is the one worth dwelling on. Kapala is a skull; Kapali is the one who bears it.

The image is not about death as horror. In the Shaiva reading the skull is what remains when everything contingent has gone — the ornament of someone who has stopped pretending the body is permanent. Shiva as Kapali is the renunciate who has walked through the cremation ground and come out the other side unafraid, which is why the ash-smeared ascetics of Kashi take him as their own. The Kapalika tradition took its name from this form.

For a family arriving in Varanasi after a death, the connection is not abstract. The city’s whole relationship with dying rests on this: that the thing everyone else flees is where Shiva is already standing.

The nineteen avatars

A separate enumeration, and the one meant when the Shiva Purana speaks of avatars proper — descents with a story and a purpose attached to each.

The nineteen avatars named in the Shiva Purana
AvatarFormWhy he came
PiplaadSageBorn to Dadhichi, and the avatar associated with relief from Shani’s affliction
NandiBullThe gatekeeper of Kailash, and Shiva’s own vehicle and foremost devotee
VeerbhadraWarriorCreated from Shiva’s matted locks to destroy Daksha’s yajna after Sati’s death
SharabhaPart lion, part birdTaken to subdue Narasimha when his fury would not subside
AshwatthamaWarriorThe Mahabharata figure, held to carry a portion of Shiva and to be deathless
BhairavaFierceThe terrifying form, and the guardian of Kashi
DurvasaSageBorn to Atri and Anasuya. Famous for a temper that moved events
GrihapatiChildBorn to Vishwanar, and connected with protection from untimely death by fire
HanumanVanaraThe Shiva Purana counts him here, which surprises people who know him only through the Ramayana
VrishabhaBullTaken in the netherworld, to end the line of Vishnu’s sons born there
YatinathAscetic guestCame as a guest to test the hospitality of a tribal devotee and his wife
Krishna DarshanHouseholderTaken to establish the importance of yajna and the rites of the householder
Bhikshu AryaMendicantThe begging ascetic, taken to protect devotees in distress
SureshwarBoyAppeared to test the devotion of Upamanyu as a child
KirateshwarHunterMet Arjuna as a tribal hunter and granted him the Pashupatastra
SuntantarkaDancerCame as a performer to ask for Parvati’s hand from Himavan
BrahmachariStudentCame to Parvati during her austerities, to test her resolve
YaksheshwarYakshaAppeared to humble the devas after their victory over the asuras
AvadhutRenunciateCame to curb Indra’s pride
Hanuman as an avatar of Shiva
This is the entry that stops people, and it is genuinely in the Shiva Purana. Most devotees meet Hanuman through the Ramayana as Rama’s servant, and the Vaishnava traditions do not read him as a Shiva avatar at all. Both readings are held sincerely and neither is a mistake — the Puranas are not a single harmonised text, and a figure central to one tradition is often placed differently by another. Where a pandit tells you one and a relative insists on the other, both are quoting something real.

The great forms, which are not avatars

These are how Shiva is depicted and worshipped rather than descents he made, and treating them as avatars is the most common error in popular accounts.

  • Nataraja — the lord of dance, in the ring of fire, one foot on the demon of forgetfulness. The tandava is creation and dissolution held in the same movement. An iconographic form, perfected in the bronzes of the Chola period, not a birth.
  • Ardhanarishvara — half Shiva, half Parvati in one body, divided down the centre. The form exists to say that the masculine and feminine principles are not two things in opposition but one thing seen from either side.
  • Rudra — the Vedic name, older than most of the material on this page, and the one the Rigveda uses. Rudra is not a form Shiva took; Rudra is who he was called before the name Shiva became usual.
  • Bhairava — sits in both lists, which is why it causes trouble. The Shiva Purana counts him among the nineteen avatars, and he is also worshipped as a standing form with his own temples, especially at Kashi.

Where these forms are worshipped

Kashi Vishwanath at Varanasi for Shiva as the lord of the cremation ground and of liberation — Kapali and Bhairava belong to this city more than anywhere. Mahakaleshwar at Ujjain for Shiva as Mahakala, time itself, and the only jyotirlinga facing south. Trimbakeshwar near Nashik, at the source of the Godavari, for the ancestral and serpent rites. The full set is in the twelve jyotirlingas.

The one image people come to Ujjain for
The Bhasma Aarti at Mahakaleshwar, before dawn, when the lingam is bathed in ash. It is the only temple where this is done, and it is the clearest expression anywhere of the Kapali idea this page describes — the god of the cremation ground, honoured with what the fire leaves. Photography is restricted inside the sanctum during the aarti and the booking opens well in advance, so plan it rather than arriving hopeful.

Shiva in the ancestral and serpent rites

The practical reason families reach this page from our site is usually a jyotishi’s reading. Shiva is the deity invoked in two of the remedies that come up most, and it is worth knowing which is which.

The Shiva rites we perform, and what each is for
RiteFromWhen it is prescribed
Rudrabhishek₹5,100The general Shiva abhishek, for obstacles, health and a new undertaking. The lightest of the three and the one most often enough
Kaal Sarp Dosh puja₹11,000Where all planets fall between Rahu and Ketu in the chart. Performed at Trimbakeshwar or Ujjain — see the complete guide first
Mahamrityunjay Jaap₹31,000The death-conquering mantra, for serious illness or a reading of danger to life. The heaviest, and not to be bought casually
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If someone has told you that a Shiva remedy will resolve an ancestral problem, it is worth checking which problem they mean — kaal sarp and pitra dosh are different things with different rites, and the Narayan Nagbali guide covers the case where a serpent was killed in the family line. A mangal dosha reading calls for something different again. Send us the chart detail and a pandit will say which, including when the answer is none of them.

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About the Author
Prakhar Porwal
Prakhar Porwal Vedic Ritual Consultant, Prayag Pandits

Prakhar Porwal is the founder of Prayag Pandits, a platform for Vedic rituals and ancestral ceremonies. His work focuses on helping families understand and coordinate Pind Daan, Shradh, and Asthi Visarjan across India's pilgrimage cities.

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